Best I could do on short sleep. (The subject, that is.)
As Rod said, the show was pretty good. A healthy helping of Zep tunes (over half the set, safe to say) but most had been reworked from their more familiar, Zep-ified incarnations (so that's where he came up with "The Mighty Rearranger." And none were newer than Houses of the Holy. Opened with a very Middle Eastern-inflected No Quarter. Other high points: Whole Lotta Love (the finale, think he saved his voice for this one); That's the Way, Gallows Pole, and When the Levee Breaks. Also did Black Dog, Heartbreaker and Hey Hey What Can I Do, for those keeping score at home.
Two covers were also offered up, both of which had reference to local musicians: Morning Dew (which he intro'd as having been written as a Canadian protest song, later performed by the Grateful Dead) and, by way of a tribute to the Bay area bands that influenced him "when I was a kid" a fairly straight ahead version of White Rabbit.
As Rod said, his voice sounded pretty good, although I don't think he's got the range he once did. He seemed to be keeping things in a lower register than he did in the good ol days, but he did let loose for Whole Lotta Love.
And alas, the best laid plans: didn't meet Mike & Rod preshow, as I didn't get into the theater until after 8. I'd met some other friends and ended up eating (and drinking) in the bar at Broadway and Grand and next thing I knew it was nearly 8. Sorry guys. I did see Rod later, as he was sitting about 4 rows ahead of me, but didn't spot Mike.