10at10 Club
Main Discussion Area => Regional 10@10's across the time zones! => Topic started by: Gazoo on January 31, 2005, 08:00:21 AM
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"Blue days, black nights" -- an inspiration for Freedy Johnston and a VHM from me.
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OK... I'l delete my duplicate thread... VHM Barra Barra Cuda
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bos - rich girl, of course.
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BOS H&O. Now THIS is a "Rich Girl" I can get behind :-)
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Inspired by RGMike's thread about Gwen Stefani's "Rich Girl"?
I'd like to give this BOS but I still think of Nina Simone's cover when I hear it. In hindsight, this just doesn't sound like a #1 hit to me. Ah, chart perfidy ...
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was it you that said
how long?!
vvvvvhm to kansas.
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Is "Point of Know Return" about Jesus' second coming?
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I predict RGMike is giving Ram Jam his BOS vote.
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I predict RGMike is giving Ram Jam his BOS vote.
Psychic Gaz strikes again... Yeah, BOS2. She's SO rock steady, and she's always ready.
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I predict RGMike is giving Ram Jam his BOS vote.
that's not all he's giving it. ;)
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was it you that said
how long?!
I thought it was Linda Lovelace who said that.
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that's good trivia! ram jam guitarist from lemon pipers...
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In hindsight, this just doesn't sound like a #1 hit to me.
Funny, I predicted it would be one the first time I heard it. Not just because I liked it but because they were primed (by the 2nd-time-around success of "She's Gone" on their previous label) for something major and RCA would've looked really stupid had "Rich Girl" not gone the distance.
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Is "Point of Know Return" about Jesus' second coming?
I think alot of their stuff had Christian undertones ("He Knew" also seems to be about JC).
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Is "Point of Know Return" about Jesus' second coming?
I think alot of their stuff had Christian undertones ("He Knew" also seems to be about JC).
yes, i always thought that about 'i knew,' but never really thought too long about 'pokr.'
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i always thought that about 'i knew,' but never really thought too long about 'pokr.'
'pokr'? I hardly know'er!
hey princess, thought you enjoy hearing that actress Martha Plimpton is now doing cabaret, per David Edelstein on slate.com:
it turns out she has a budding career as a singer—and who would have thought that this punky misfit actress would turn out to be a fabulous cabaret diva? Last night, I caught her at Joe's Pub in New York's Public Theater with Julian Fleisher in a show called Save It for the Stage. (It was one night only, but they'll pop up again.) Plimpton and Fleisher compare themselves to "Steve and Eydie, Sonny and Cher, Bonnie and Clyde, and Leopold and Loeb," which should give you some idea of the (unrehearsed) onstage banter. But if the act borders on camp, Plimpton sings with her whole heart: She has a chesty but soaring voice, and with her short blond hair and slinky body she looks great when she's contorting herself in front of a microphone.
Her rendition of "Neverland" was too earnestly plaintive, but everything else was a joy: the opening medley of "Movin' On Up" (from The Jeffersons) and "Nine to Five; "Little Red Corvette"—'70s/early '80s songs revitalized by her stylings and the witty band. Plimpton will bring down the house with a number, then break character and shrug and squeal as if to say, "Was that me? Did I just pull that off?" It's so exhilarating when you discover that an actor whom you loved (and I've followed Plimpton since The River Rat in 1984) has pipes.
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hey princess, thought you enjoy hearing that actress Martha Plimpton is now doing cabaret, per David Edelstein on slate.com:
that's swell!